• complete Critical Acclaim PDF available upon request

  • La Bohème
    “Newcomer Kristin Vogel made up for everything as a self-composed Mimi, her jewel-toned soprano darting like a butterfly… this production’s strength was the sheer force of the singing. The wall of sound in the Act I finale septet, the delicate moments as Mimi fails and each friend contributes what they can …, and of course Mimi herself, bursting with beauty and pathos right up until the final snuffed candle." 
    Tacoma News Tribune, Rosemary Ponnekanti

  • I Pagliacci
    “The talent is top-tier, with all leads making debuts with St. Petersburg Opera. Kristin Vogel as Nedda has a clarion soprano that rings out when she sings of wanting to be free like the birds.”
    Tampa Bay Times, Stephanie Hayes

  • Faust
    "Kristin Vogel gave us a genuinely lyric and beautiful performance as Marguerite, exhibiting both power and superb vocal control."
    Out in New Jersey, Toby Grace

  • The Magic Flute
    “Sympathetic dramatic contrast came from the Queen’s daughter, Pamina, sung by Kristin Vogel. Paminas are sometimes cast as frail characters, but not in this case. Ms. Vogel sang with authority and sensitivity to the phrasing and mood of the text.”
    Town Topics, Princeton, Nancy Plum

  • Naughty Marietta
    “Kristin Vogel, channeling 1950’s star Ann Blyth, made an effervescent Marietta, and looked smashing in her gowns. She was vocally assured, too.”
    Forbes on Film and Footlights, Harry Forbes

  • Princess Ida
    "The title role was radiantly sung and played by soprano Kristin K. Vogel - may she travel far in operetta!"   
    American Record Guide, Richard Traubner

Critical Acclaim

  • Current Resume PDF
  • Bios available upon request
    • Short Biography (200 words)
    • Long Biography (400 words)

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